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Progland was founded by John Gabbard in 2005. It's purpose has been to provide you, the music community with the latest music and dvd reviews. It will continue to be your link to the most popular music reviews in the progressive world.

 

Karmakanic "Who's The Boss In The Factory?"- (Erik's Review)

Reviewed by:

Erik Neuteboom

www.progwalhalla.com

Genre: Prog
Country: Sweden
Language: English
Length: 55:28
Release Date: Nov/18/08
Band Members: Göran Edman / vocals Krister Jonsson / electric and acoustic guitar
  Jonas Reingold / electric and Fretless bass, additional keyboards Zoltan Csorsz / drumkit
  Lalle Larsson / keyboards
     
Track Listing: 1.) -Send A Message From The Heart (19:28)  
  2.)-Let In Hollywood (4:53)  
  3.)-Who's The Boss In The Factory (13:04) 4. Two Blocks From The Edge (9:51)  
  4.)- Eternally Part I (1:51)  
  5.)-Eternally Part II (6:21)  
     
   
     
 

During the long car drive from The Hague to Bakkeveen in Friesland because of the annual Progfarm (2008 edition with an excellent gig by Nemo and strong performances by Dutch progrock bands 5Bridges and Flamborough Head), we had plenty of time to listen to new progrock. In the end I was mostly impressed by the Swedish formation Karmakanic. I had never heard of that name, it appeared to be the solo project by the The Flower Kings bass player Jonas Reingold, it’s even his third CD (after Entering The Spectra in 2002 and Wheel Of Life in 2004) and he has invited fellow The Flower Kings members Tomas Bodin and Roine Stolt.

- The long first composition Send A Message From The Heart (almost 20 minutes) delivers very dynamic and alternating (from mellow and slow rhythms to swinging and bombastic) modern sounding progrock featuring splendid keyboard work, from majestic choir-Mellotron and powerful Hammond organ to sparkling Grand piano and a mindblowing Minimoog synthesizer solo with pitchbend in the vein of Jan Hammer in his best days, awesome! The guitarwork is also a strong element, from a jazzy solo to Gilmourian runs and a fiery solo supported by lush Hammond organ, what a start! The other five compositions also succeed to generate a lot of excitement, due to the huge variety and many captivating musical ideas: swinging acoustic guitar, fat R&R inspired guitar and a spectacular synthesizer solo in the fluent Let In Hollywood, wonderful interplay between fretless bass and Grand piano, again a fantastic vintage keyboard sound (from another flashy Minimoog solo to lush Hammond and Mellotron) to fiery wah-wah guitar and a compelling final part in the titletrack, tasteful keyboards, guitar and saxophone in the pleasant Two Blocks From The Edge, very beautiful Grand piano in the short piece Eternally Part I and again beautiful interplay between Grand piano and fretless bass along intense accordion work (evoking the Argentine tango masters), the Malmö String Ensemble and a compelling grand finale with emotional vocals in the melancholical final song Eternally Part II.

- What a great effort, so varied and dynamic and what a crafty musicians, highly recommended to every proghead in this Galaxy!

www.progwalhalla.com

 

 

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