Band
Members: |
Richtie Blackmore / electric &
acoustic guitars, tambourine, hurdy gurdy, mandola, renaissance
drum |
Candice Night / lead & backing
vocals, shawms, rauschpfeife, pennywhistles, chanters, cornasume
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The
Review |
Ritchie Blackmore and his partner Candice Night have reached
new heights on their latest release The Village Lanterne.
I just read an article in Classic Rock Magazine bemoaning
the fact the we have lost one our most beloved rock gods to
tights and frolicking acoustic guitars. That is rubbish, Ritchie
still rips off some amazing licks on the electric guitar,
and he actually does so more frequently on this new release
compared to previous outings. He has mellowed and changed
direction, however with great success; just ask the legions
of fans worldwide. Blackmore has carved out yet another niche
in musical history with a series of superb recordings. I have
covered every release, and absolutely loved them all. I know
I probably say that every time I have an opportunity to do
a review and probably always will.
Now for the die-hard Deep Purple fans, including me,
Blackmore decides to reach back to his past with a different
slant. He provides a very exciting tribute to the music of
his past. “Mond Tanz / Child In Time” is the perfect blend
of Blackmore today, reaching back to the classic lineup of
Deep Purple; he gives all of himself for this song and satisfies
the old and new fans all in one take. His playing is just
as fierce and compelling as it ever was, with one big difference,
the spine tingling voice of his partner Candice Night. What
an incredibly effort this track is, it gives me chills every
time I hear it. Then Rainbow gets the nod twice, first on
the disc one version of “Street Of Dreams,” which is absolutely
haunting, the guitar playing is masterful and Night does a
great job with tune, making it her own. And to top that off
the bonus disc features Joe Lynn Turner, the vocalist that
originally recorded the song with Rainbow. Turner does a duet
with Candice, renewing one of his best performances with the
compliment of the elegant vocalist to sweeten the pie. That
turns out to be an instant classic as well. There is more
where that came from. Those that have followed this band over
the years have reason to remain faithful as ever. They do
not disappoint at all with great tunes such as “25 Years,”
“St. Teresa,” which features some blistering blues-rock from
Blackmore, and “I Guess It Doesn’t Matter Any More,” which
is destined become a fan favorite at their live outings. There
is one very short instrumental titled “The Messenger,” and
it is extraordinary. Blackmore proves again that he is equally
adept with the acoustic strings and his respect shows for
classical music. Blackmore’s typically fluid playing is ultimately
a great tribute to the masters of the past.
These songs are so joyous in spirit yet the album as
a whole is somewhat darker than anything they have ever done
before. “Windmills” is a good example of the darker more intense
side of the songwriting; it gives you goose bumps in all its
regal old time glory with subject matter around a character
that fights the good fight to the end for his freedom. This
is a great album, in fact, there is not a track on the album
that is not memorable, and it is a perfect 10 as far as I
am concerned. The only thing that I have to complain about
is the bonus disc, the two tracks were great, but the bonus
video did not work for some reason. I received the special
German edition and the video is in PAL however, my PC does
play this type of disc so I am baffled as to why I cannot
view it. That was a disappointment but it did not deter me
from listening to the best ever Blackmore’s Night album so
many times I have lost count. Keep up the great work Ritchie
and Candice, you have a lifetime fan here that will always
look forward to any music you release.
Note: On CD2 of this German version “All Because Of You
(Radio Edit)” is replaced with a CD Extra Part-Village Lanterne
Interview & Castles and Dreams DVD trailer. April 19, 2006
©
Keith "MuzikMan" Hannaleck
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