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(Lammoth) - "Machine"

Reviewed by:

"Philip Wooldridge"- (Ravenheart Music)

Genre:
(Female Fronted) {Rock/Symphonic-Metal}-(Music)
Country:
Czech Republic
Length:
49:54
Release Date:
December 18th, 2009
Band Members:
Hanka "Astarte" Plesná - Vocals
Jirka "Ozzy" Černý - Guitar
 
Dominik Turchich - Guitar
Pavel "Sup" Čížek - Keyboard
 
Tomáš Matejka - Bass
Filip "Morbo" Kittnar - Drums
 
Track Listing: 1.)-Into The Dark Lord's Mind - 4:31
9.)-Westward Nevermore - 9:48
  2.)-Hope - 4:19
10.)-The Nameless City Pt. 2 - 4:35
  3.)-Machine - 8:28  
  4.)- Storyteller's Inn - 7:06  
  5.)-Redemption Game - 3:33  
  6.)-The Nameless City Pt. 1 - 5:08  
  7.)-War Machinery - 1:29  
  8.)-In The Silent Land 00:57  

Review:

Lammoth are a band from the Czech Republic despite what their Myspace site says, and not to be confused with the American black metal band of the same name. They have been around since 2001 and this in their second full length release, coming after 2006’s Reflections. The name, which means Great Echo, comes from a region in Beleriand in J.R.R. Tolkien's Silmarillion. Their music is very hard to tag, Nightwish meets Rhapsody meets ELP is the closest I can come up with after a thorough head scratch. Adorable Hanka "Astarte" Plesná has a superb, powerful, expressive semi-operatic voice, not too dissimilar in style to Kate Bush at times, with lyrics in English. Opener ‘Into The Dark Lord’s Mind’ is proggish and powerful with Emerson esque spiky Hammond, second track ‘Hope’ is a pacey power metal polka, and ‘Machine’ combines the two, a pacey power prog polka (try saying that after a couple of vodkas). The waltz ‘Storyteller’s Inn’ changes the pace, with a touch of Jethro Tull (minus flute) and Renaissance. ‘Redemption Game’ and ‘The Nameless City Part 1’ are a pair of pacey power prog polkas, with a couple of short interlinked instrumentals to follow. The epic ‘Westward Evermore’ sounds like ELP and Yes gone power metal, while the baroque closing instrumental classical piece ‘The Nameless City Part 2’ could have come from ‘In The Court of the Crimson King’ or Jon Lord’s ‘Sarabande’. Production, sound and mix are remarkably good for an independent release, and all the band are first class musicians. Scoring this is also a real doozy because there is no benchmark, they are out there on their own with their pacey power prog polkas (I like saying that) which are influenced more by classic 70’s prog rather than the modern versions like Dream Theatre and Porcupine Tree. All I know is I like it, and if you like power and prog metal then you will too. The gremlin in the machine is getting hold of a copy, but it does come as a rather nice package, you could try the email address on the bottom of their Bandzone page, http://bandzone.cz/lammoth , and their website in Czech is http://www.omadeg.cz/lammoth/ , a princely pacey power prog polka points score of 8.5 out of 10.

 

 

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