| The
Review |
Steve Overland, better known as frontman for FM (UK),
has become one of the biggest unsung voices of melodic rock
and AOR, with his high tenor being a cross between Glenn Hughes
and Paul Rodgers. But it isn't just Overland that shines on
the record, it is the chops of underrated axeman Steve Morris
(Ian Gillan, Export, producer, session guitarist, etc.) who
really stands out on this record. Along with bassist Chris
Childs and drummer Harry James (Thunder), Different Angles
really brings some of the most technically proficient melodic
rock to the table.
Crossing the pop prowess of early Harem Scarem with the
harder sound of Thunder (no surprise, and of course there
are the FM comparisons), Different Angles is an album that
produces a major amount of hooks and catchiness with just
the right amount of that pop element mentioned earlier, which
is balanced with the straightforward hard rock balls-to-the-wall
sound. Tracks such as the opening number "Learn to Live Without
You," the groove driven "In the Shadows," and "Satellite"
have the "crank up" factor built into them. Of course more
laid back moments include the emotion conveyed in the semi-acoustic
"Dreams Die Hard," the blues tinged "Did it For Love," and
the power balladry of "Way of the World" where there are other
rockin' elements found on the album.
Overland's voice still holds up pitch perfect and Morris'
guitar playing is extremely fluid, whether it is his soloing,
leads, or more simplistic riff styles; his phrasing is amazing.
So for all of AOR's glory, here is a record that stands out
with excellent songs and great musicianship all around; but
of course, we know what to expect from these guys.
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