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Progland was founded by John Gabbard in 2005. It's purpose has been to provide you, the music community with the latest music and dvd reviews. It will continue to be your link to the most popular music reviews in the progressive world.

 

"The Spaghetti Epic – 3" : (The Great Silence)

Home Page- Assorted
Reviewed by:

Erik Neuteboom

www.progwalhalla.com

Genre:
Prog
Country:
Assorted
Length:
64:00
Release Date:
Feb 17, 2009
Bands: Little Tragedies Yesterdays
  NOT
     
     
Track Listing: 1.)-The Voice of Silence (19:30) (Little Tragedies)  
  2.)-Suite Pauline (20:00) (Yesterdays)  
  3.)-Epilogo (23:28) (N.O.T.)  
     

Review:

The Musea/Colossus collaboration presents 3 progrock bands, each with an epic composition. First Little Tragedies from Russia with a track entitled The Voice Of Silence (19.30).

The music deliver lots of spectacular bombastic parts with dazzling synthesizer runs, ELP inspired Hammond work, exciting interplay between flowing guitar/keyboards and powerful saxophone/organ, fuelled by a propulsive rhythm-section. Very subtle is the blend of flamenco rhythm guitar in some parts, it gives a special flavor to the music. Then Yesterdays from Hungary with the song Suite Pauline (20.00), in comparison with their contribution to the 4-CD CD box Dante’s Inferno, the emphasis is less on folk and more on Seventies keyboard oriented symphonic rock. It contains many changing climates and interesting musical ideas with wonderful work on vintage keyboards, often in duel with other instruments: choir-Mellotron and electric guitar, reed organ and Glockenspiel, trumpet/violin-Mellotron and classical guitar with flute. I also enjoyed a part with the impressive church-organ sound and an interlude featuring an exciting duel between drums and choir- and violin-Mellotron, joined by Fripperian guitarwork, goose bumps! Finally the Italian formation N.O.T. with the song Epilogo (23.28): it sounds very alternating and dynamic with many bombastic climates featuring powerful Hammond work, flashy synthesizer runs, howling electric guitar, pleasant Mellotron waves, often very compelling. The music reminds me of early King Crimson and Outer Limits, especially in the final part with sumptuous violin-Mellotron waves, propulsive electric guitarplay and powerful drums. -

Not to be missed by any serious proghead, the vintage keyboard aficionados will be delighted!

www.progwalhalla.com

 

 

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